Keep evolving. Keep reading plays, doing plays, but also be sure to expand your horizons as much as possible. You only have yourself to bring to your work. You are your palette, so give yourself as many colors as possible to paint with.

It's a lucky circumstance when you get to usher in new work, because you are able to ask the playwright and the director (who in a new work is always in dialogue with the playwright) an unlimited amount of questions.

In terms of collaboration, working on a new piece is always thrilling, as I'm sure most people would say, because the playwright is in the room and the piece itself evolves in response to what is happening in the room.

Growing up, I had a singing teacher who was an amazing champion of mine who helped build up my confidence, and I also count my therapist as one of the best teachers that I've ever had.

I think it's very important to support your friends and to stay current with what's happening.

Every work brings new and different challenges. Research is always helpful, regardless of whether the play is contemporary or not.

I always try to have a book on hand, traveling is an excellent way of providing perspective, and studying Art History has made going to art museums way more fun than you can imagine.