Notable American Women gives us, with great panache and in eerie detail, a world that is cruelly reasonable within the near-religious limitations of its weird laws and customs. It is a book as unique as it is wonderfully strange.

It is no wonder lesbians love women.

What is this thing called a kiss? French, tongue, soul, chaste, motherly, fatherly, brotherly, sisterly, ass, genital, Judas, trembling, rough, hesitant, sweet, soft, wet, dying, fevered, good-night, farewell, burning, and chocolate.

All I do know, for certain, after 53 years in this business, is that writers who sincerely think that their language can represent reality ought to be plumbers.

Notable American Women gives us, with great panache and in eerie detail, a world that is cruelly reasonable within the near-religious limitations of its weird laws and customs. It is a book as unique as it is wonderfully strange.

On Being Blue celebrates both language and that which it represents and carefully draws our attention to that difficult middle ground on which the writer finds himself in lifelong struggle to join the two without sullying or smearing the clarities of either.

What if this young woman, who writes such bad poems, in competition with her husband, whose poems are equally bad, should stretch her remarkably long and well-made legs out before you, so that her skirt slips up to the tops of her stockings?