It wasn't until I started to do 'Poison River' that the readership started falling. 'Poison River' started out very slowly and simply, but then it got really dense and complicated. I don't know, I think the readers just got fed up or burned out. They started dropping off.

I notice a lot of younger artists have difficulty telling stories. They might have short stories where they express themselves well, but they don't really know how to tell stories with characters. That craft just passed them by.

I happen to think Latinas, Latin women, are the most beautiful women in the world. So that's what I'm going to draw. I love women from all cultures, of course, but if I was going to deal with any of them, that would be No. 1 for me.

I grew up when comics were only sold in food markets and news stands, so the direct market is vital to me. The best way to make it stronger is if everybody buys my comics in multiple copies before they buy any others.

I've dealt with Hollywood about having my work made into a film or cartoon but nothing came of it. That's not to say I wouldn't like to see something happen.

I'm working so much I don't see the work of many young cartoonists so it's hard for me to tell which are my favourites. Maybe when I get to stick my head out of the sand I'll be able to let you know.

I had always shown childhood as something difficult, something you want to get the hell out of, but now I wanted to do a story that was the opposite, about that moment in time when you're in that world of discovery, doing what you want to do. That fleeting moment when you're in your zone.