Having a good director is very important. It's crucial. When you do good work with a certain director, you want to work with them again, and hopefully vice versa.

I just saw dialogue, in the audition, and had no backstory. I was like, "I'm just going to be myself because I have no idea who this is or where he's coming from." The typical questions that actors have to ask themselves were very hard. I had to imagine, a little bit, and just made it work.

In my ideal world, it would be a soulful connection to the role because you've shared a lot of the same experiences as the character and you just feel so right in it. That's the first thing I look for.

I felt like I had to prove myself, but I feel that you have to do that anyway, as an actor. You're there to do a job, and that's your primary concern.

Having a good director is very important. It's crucial. When you do good work with a certain director, you want to work with them again, and hopefully vice versa.

You look for the roles where, when you read it, you're just like, "Yes, I know that. I know that feeling. I know what it means to feel like that. I know this person." When you have a soulful connection to a part, that's a dream come true.

For a relative newcomer, it's obviously a dream to work with such a talented actress as Anna Paquin, who won an Oscar at 10, or something ridiculous like that. That's a dream.