Without agreement you just have people arguing.

I really like the concept of, like, slowing down and savoring your food, enjoying it.

I also think the more experienced you get as an actor, you start to hear the conversations about why people get cast and not cast, sometimes it's so arbitrary. They decided the moment you walked in the door. And there's nothing you could have done to sway them, even if you'd the greatest performance of all time.

I haven't done improv since I was in middle school.

I've always wanted to work with Elizabeth Banks. She's so talented and funny, and she's become this force of nature - directing, producing. Being around her is kind of inspiring.

I think that it is important to establish a world of place for the characters in improv and there is nothing to be gained from disagreeing about that. So you have to establish the principle that if some person establishes one thing we're all going to go along with it and that we are all building from it.

A lot of people I went to college with felt like they wanted to pursue theater exclusively, so I don't think that I really was in competition with people that I went to school with.