It feels kind of naughty when you're swearing on set and you know it's gonna make it in unbleeped on the show.

I think there's a sort of satisfaction in defying people's expectations.

A movie that I've seen probably the most is 'Fanny Alexander,' the Ingmar Bergman movie. I even dragged my friends to the super long version that had an intermission. I don't know how much they liked me that day.

The amazing thing about working on new platforms is that there is a great deal of excitement. You know, these things - they're brand new. They're trying to figure it out. And so if you're a show that they're supporting, they're going to put a tremendous amount of energy behind you. They're open to new ideas, new ways of promoting a show, and I think that feels really exciting, because network TV sort of feels like a formula. They give you a couple of weeks, and if it works, it works, and if it doesn't, you're most likely going to get cancelled.

Boy, you know, it's amazing how your brain can turn into a sieve, and you can literally forget episodes that you have shot.

I really like the concept of, like, slowing down and savoring your food, enjoying it.

I've had weird, weird acting jobs. Low-budget filmmaking where you find yourself in really bizarre places.