The amazing thing about working on new platforms is that there is a great deal of excitement. You know, these things - they're brand new. They're trying to figure it out. And so if you're a show that they're supporting, they're going to put a tremendous amount of energy behind you. They're open to new ideas, new ways of promoting a show, and I think that feels really exciting, because network TV sort of feels like a formula. They give you a couple of weeks, and if it works, it works, and if it doesn't, you're most likely going to get cancelled.

I first came to LA auditioning during pilot season. I didn't really know anyone. The only people I'd meet were the girls I was up against at auditions. It wasn't the friendliest bunch.

I had my life Monday through Friday in school, and then I had my 'real life,' which was my acting class on Saturday.

I remember someone said to me, "Beware of instant chemistry with people, because a lot of time it's the recognition of something familiar," and for people who have a habit of getting into unhealthy relationships, that's usually a bad thing.

My inners are not organs. They're actually mechanics, so I have a hole in my back, wind me up like the movie 'Hugo,' and then just say, 'Act,' you know?

I think there's a sort of satisfaction in defying people's expectations.

A movie that I've seen probably the most is 'Fanny Alexander,' the Ingmar Bergman movie. I even dragged my friends to the super long version that had an intermission. I don't know how much they liked me that day.