The amazing thing about working on new platforms is that there is a great deal of excitement. You know, these things - they're brand new. They're trying to figure it out. And so if you're a show that they're supporting, they're going to put a tremendous amount of energy behind you. They're open to new ideas, new ways of promoting a show, and I think that feels really exciting, because network TV sort of feels like a formula. They give you a couple of weeks, and if it works, it works, and if it doesn't, you're most likely going to get cancelled.

The main fun of being an actor is that you get to bounce around to a lot of different worlds.

I think in theater it demands that you say the same words every night and make it feel fresh and new. Improv demands that you be operating at the highest level of your creativity intelligence. So these two skills are both very important but I've seen people who are very skilled at one area struggle with the other. Either improvisers feel constrained by having to say the same thing over and over again or people who are really good at doing scripted work feel intimidated and exposed doing improvisation.

I'm a very boring person in my real life so I got to act out misbehaving fantasies was really fun.

If somebody is deemed more talented within the confines of the school it doesn't mean they're going to have the most successful career.

I think that initially all I wanted to do was work as an actress, and then, as I started to work more consistently, you start to maybe want to challenge yourself in different ways, so I think it's something that developed over time - this desire to direct and also to produce. I think as you watch other actresses do it so successfully and so gracefully, you're like, I think that would be fun! It's definitely something that has become more of a priority for me.

I always had an easier time with adults. Somehow, I was always old! I still feel old.