I think if I was in over 250 films, the world would get pretty sick of me. I would probably never get put in anything ever again.

I think in theater it demands that you say the same words every night and make it feel fresh and new. Improv demands that you be operating at the highest level of your creativity intelligence. So these two skills are both very important but I've seen people who are very skilled at one area struggle with the other. Either improvisers feel constrained by having to say the same thing over and over again or people who are really good at doing scripted work feel intimidated and exposed doing improvisation.

I did live in New York. Yeah, I moved to L.A. for 'Community.' And I gave up my apartment in New York.

If you just look at the number of roles for women versus the number of roles for men in any given film, there are always far more roles for men. That's always been true. When I went to college, I went to Julliard. At that time - and I don't know if this is still true - they always selected fewer women than men for the program, because there were so few roles for women in plays. That was sort of acknowledgment for me of the fact that writers write more roles for men than they do for women.

I think maybe my mom thought that Katharine Hepburn would be a good role model of, like, a strong, smart, independent woman. Maybe she steered me in that direction. You know, because she was really so ahead of her time.

You've got to get as literal as you can get to convince people sometimes that you can do something.

I haven't done improv since I was in middle school.