I would love it if 'Community' could have a trajectory like '30 Rock' and choose when to go out.

I love discovering new young brands and watching these fashion lines take off, like Peter Pilotto, Christopher Kane, and Clover Canyon.

The nice thing about a documentary, I think, is that so much of it is editing, too. You sort of get to keep making decisions. It's not as much like when you do a narrative, fictional piece, and you have a certain number of shooting days, and you're like, "Well, that's what it is." You can continue to seek out more photographs or try to find more footage. The genre gives you the ability to keep working on it, which is great for a first-time director.

As opposed to trying to make a kiss look romantic or sweet or passionate, it's kind of fun to just have the freedom to make it look weird, goofy and awkward.

When you only hang out with performers, you start to feel like movies and TV and comedy is everything. Especially being in LA, where it feels like you walk into a coffee shop and you see 15 laptops with screenplays being written.

I try to have a very well-rounded group of friends that did a lot of different things and weren't just performers. Because I feel like there's both less feeling of competitiveness, and it put my own career in perspective.

I think, you know, when you're an actor who's had periods of unemployment, it makes you feel really good to have a job - to say that you're expected somewhere, do you know what I mean?