I think that initially all I wanted to do was work as an actress, and then, as I started to work more consistently, you start to maybe want to challenge yourself in different ways, so I think it's something that developed over time - this desire to direct and also to produce. I think as you watch other actresses do it so successfully and so gracefully, you're like, I think that would be fun! It's definitely something that has become more of a priority for me.

I would say 99 percent of the time, you're probably attracted to the other person because it is repairing something that's a little broken in yourself. When you're getting into the relationship, whether that becomes an impediment or the rocket fuel, that's the choice of the person who's in it.

I think in theater it demands that you say the same words every night and make it feel fresh and new. Improv demands that you be operating at the highest level of your creativity intelligence. So these two skills are both very important but I've seen people who are very skilled at one area struggle with the other. Either improvisers feel constrained by having to say the same thing over and over again or people who are really good at doing scripted work feel intimidated and exposed doing improvisation.

I love Opening Ceremony, Kenzo - anything Humberto Leon and Carol Lim touch. I drool over Christopher Kane, Mary Katrantzou, Delpozo, and Wes Gordon.

I say the word N-U-C-L-E-R the same way that George W. Bush says it.

I've had weird, weird acting jobs. Low-budget filmmaking where you find yourself in really bizarre places.

I never thought I would be in a comedic role; my past is in drama.