Every ambiguous, false, tearful, emotional exaggeration brings about that typically kitsch attitude which could be defined as "sentimentality."

At a certain point in history monuments became associated with kitsch, (it had never previously been so) and one might well ask why this unforeseen aesthetic and ethnic debasement of their values came about, or why monuments have not adapted to the times. Perhaps, instead of evoking authentic religious, patriotic or mystical sentiments, they evoke only the customary ersatz for these sentiments and have suffered the fate of becoming sentimental.

All of us alive today are or can be its prey, most of all the person who believes he is creating works of art when he is in fact creating mere kitsch objects.

Every ambiguous, false, tearful, emotional exaggeration brings about that typically kitsch attitude which could be defined as "sentimentality."