The only time I get recognised is when I go somewhere that is showing 'Coupling' on local television.

French cinema allows women to look... a certain way and be talented at the same time.

I took part in two 'Leverage' conventions. Fans fly in from as far as Russia and Australia. It's expensive to attend.

When you shoot on high-definition, everything is very sharp and clear, sometimes at the cost of losing dimension and depth of field.

Every person has parallel tracks. You have your personal life or your life as an artist, or whatever it is you do.

I'm not really that keen on mainstream; I'm not interested in doing the normal films. I do tend to go for the quirky, different scripts.

I love those connections that make this big old world feel like a little village.