I'm definitely one of those people that what comes into my head falls out of my mouth. That's a way for me to be even more creative, to sort of get the ball rolling and start parlaying off of somebody and interacting. That charge or that friction sometimes - if it's positive or negative - is inspiring, and it gets people to be I think creative, maybe.

A lot of writers, because they don't understand actors, feel like, in order to be better at their performance, they have to change the words around a lot.

I'm old fashioned with my cell phone. I like that human contact and I think it's important.

Without Scientology, I would be in an alley somewhere looking for dope.

What an actor says is much, much less important than a life, so that's the great use for improvisation; you go, you find the life and then you add the words.

I'm definitely one of those people that what comes into my head falls out of my mouth. That's a way for me to be even more creative, to sort of get the ball rolling and start parlaying off of somebody and interacting. That charge or that friction sometimes - if it's positive or negative - is inspiring, and it gets people to be I think creative, maybe.

My mother told me I was begging her to be an actor when I was four. My father and my grandfather saw at least one or two movies a week; they were film buffs, so I guess it just rubbed off on me.