You can feel a little vulnerable when you see people tearing you apart on the internet or saying, "It's the end of music." "This guy is a total hack." I've read it all. But at the same time, even though I feel a little vulnerable with that, I do feel comfortable.

I want the material I make to be mine; that's always the goal of the record and of the show.

In 1990 if you heard a song on the radio and you really wanted to hear it again you'd have to buy it on tape or CD. Hearing music doesn't hold that kind of value anymore because anyone can hear it. It's going to become even easier.

In 2008 it's easy to get huge before you have an album out with the Internet. I think that's great and you see a lot of artists like that. It seems like it's becoming rarer to find a band that has been touring for six years, doing small shows and then breaking out.

My dad's been one of those dads who loves showing newspaper articles to the neighbors.

I think a lot of times people from the traditional DJing world think I'm trying to come up with an ultimate dance mix. That's not really what I'm doing. I'm trying to make something a little bit progressive and challenging.

In the past, hearing music had more value.