My start came with experimental musicians and live bands. I never played with DJ's because it wasn't really the correct fit. It fit in more with someone using a laptop to create their own electronic music. When you're doing music like that, it's hard to get more than 20 people to come to your show.

When someone is buying a sample-based album, they are investing in the concept of that album. If they really like the original source material, they can go buy it.

I've been dedicating my life to doing remixes and sample based music. Whether you're into it or not I'm going to continue to pump it out.

Nowadays when you buy music its like you're donating to that cause, because you most likely could hear it in some capacity for free.

In 1990 if you heard a song on the radio and you really wanted to hear it again you'd have to buy it on tape or CD. Hearing music doesn't hold that kind of value anymore because anyone can hear it. It's going to become even easier.

The primary goal isn't a financial gain; it's to put out interesting music.

I always like to borrow bits and pieces of things. There's a line between jumping on something that's happening and incorporating bits and pieces of it into my work.