We’re the worst thing because for us the worst thing is the best thing. And it’s only the best thing for us if it’s the worst thing for someone else.

She understood the genre constraints, the decencies were supposed to be observing. The morally cosy vision allows the embrace of monstrosity only as a reaction to suffering or as an act of rage against the Almighty. Vampire interviewee Louis is in despair at his brother’s death when he accepts Lestat’s offer. Frankenstein’s creature is driven to violence by the violence done to him. Even Lucifer’s rebellion emerges from the agony of injured price. The message is clear: By all means become an abomination—but only while unhinged by grief or wrath.

Kneecaps only exist to get hit with claw-hammers; grace only exists to be fallen from.

Peace is purchased in the currency of loss.

The first thing to say about Eve is that she was a big improvement on the Adam design, or that Adam was an extremely misguided variation on the Eve design. (Consider testicles. Two concentrated nuclei of absolute vulnerability. Where? Dangling between the legs. I rest my case.)

Snow makes cities innocent again, reveals the frailty of the human gesture against the void.

There’s a reason humans peg-out around eighty: prose fatigue. It looks like organ failure or cancer or stroke but it’s really just the inability to carry on clambering through the assault course of mundane cause and effect. If we ask Sheila then we can’t ask Ron. If I have the kippers now then it’s quiche for tea. Four score years is about all the ifs and thens you can take. Dementia’s the sane realisation you just can’t be doing with all that anymore.