The flesh had infinity in it. I must know every inch by touch yet every inch renewed its mystery the instant my hand moved on. Delightful endless futility.

Yes, Eden was beautiful- and if I had to squeeze through corporeal keyholes to crash it- so be it. (Hasn’t it bothered you, this part of the story, my being there, I mean? What was I doing there? ‘Presume not the ways of God to scan,’ you’ve been told in umpteen variations, ‘the proper study of Mankind is Man.’ Maybe so, but what, excuse me, was the Devil doing in Eden?) I took the forms of animals. I found I could. (That’s generally my reason for doing something, by the way, because I find I can.)

I'll tell you something,' she said. 'I'm not sure I ever really liked him.' Adam?' I said. 'I don't blame you.' 'Not Adam,' she said, struggling to swallow a greedily chomped chunk. 'God.

I suppose the word "unbearable" is a lie by definition. Unless you kill yourself immediately after using it.

Pain revealed the paltry dimensions of love. The paltry dimensions of everything, in fact, except pain.

One day the ordinariness will be terminally punctuated by the extraordinary full stop of death.

I'm with Milton and the Rolling Stones: I don't find the Devil an unsympathetic character. But in any case, my fiction is populated as much by people who do good as it is by those who do bad. I'm interested in imaginatively accommodating as much of the human as possible, for which you need both moral extremes and everything in between.