If you stand still in any city long enough, you see everyone pass you by. So you're in Chicago. If you stand on the corner of Belmont and Clark, and you do that for three years, you'll pretty much have seen everybody in Chicago pass that junction.

Well, everything about singing, I learned from busking. Everything I learned about songwriting, I learned from busking.

I think ultimately, people are selfish in that department [blues], in a good way - the reason we're attracted to art is because it somehow reflects us. And I think, ultimately, we're a tribal people by nature. We're not individualistic. We almost like to hear that there's other people in a worse state than us. Sometimes even more than we like hearing there are people in better states than us.

Relationships can be about yourself, they can be about you and your god, you and your people, you and your family. It can be about a lot of different stuff. And it is.

And I've always loved playing solo.

Sadness is a very interesting idea, this idea of sadness being some kind of default setting that artists will go into. And then I started thinking about this idea of sadness and happiness, and the idea that sadness is very loud, and happiness is quiet.

You know, when I was a kid waiting on the bus, I remember that was when I imagined my life. I imagined everything that I was gonna be when I grew up and I imagined all of these amazing journeys and amazing people Id meet. Of course, all of it has kind of come to fruition.