There are people who can sit down and write a song about any given subject, and they can do it really, really well.

If you stand still in any city long enough, you see everyone pass you by. So you're in Chicago. If you stand on the corner of Belmont and Clark, and you do that for three years, you'll pretty much have seen everybody in Chicago pass that junction.

I think ultimately, people are selfish in that department [blues], in a good way - the reason we're attracted to art is because it somehow reflects us. And I think, ultimately, we're a tribal people by nature. We're not individualistic. We almost like to hear that there's other people in a worse state than us. Sometimes even more than we like hearing there are people in better states than us.

You know, albums are a funny thing. They're not like an intellectual decision. It's a collection of your kind of musings.

Sometimes travelling really intensely for a long time is like having a continuous nervous breakdown.

And for some reason, when I'm sad, I do listen to Leonard Cohen, I do listen to Joni Mitchell. I do find myself going to the music that's actually reflecting my mood, as opposed to sticking on Motown, which might actually bring my mood up.

As a busker, one thing that does not work is self-consciousness. A busker needs to be working. A busker needs to shed all ego and get down to work. Play your songs, play them well, earn your money, and don't get in people's way.