people only ever offer you a great deal of money for rubbish. The greater the number of noughts on the cheque, the greater the crapular content of the movie; the better the work, the less you're paid.

I used to believe that anything was better than nothing. Now I know that sometimes nothing is better.

I'm less confident now than I've ever been. In this peculiar craft, confidence is something you spend a lifetime losing. I used to be frightened only one night a week but now I'm frightened of every performance. I mean really frightened.

I can't actually see myself putting make-up on my face at the age of sixty, but I can see myself going on a camel train to Samarkand.

[On being asked, 'Did you ever say that an actress needs to be able to laugh and to cry and that when you need to laugh you think of your sex life and when you need to cry you think of your sex life?':] No.

a really good play is ambiguous - which is exactly why it endures. Every succeeding generation develops theories about it. The play's words provide very little clue. On the contrary, words are notoriously imprecise and open to every kind of interpretation, so you must search.

To counter-balance the natural humility of motherhood, I garden ... In the garden, more than any place, I really feel successful.