I'm constantly revising and updating a piece until it's finally recorded. Once it's recorded, then it's over.

It's a mysterious thing that a whole generation of young people can come up and see and understand things that previous generations weren't able to see or understand.

There were a lot of people doing new and interesting things with rock. But I wanted to take it farther than that. My real influence was punk. I must have listened to the first Patti Smith album 300 times.

Whatever works for the piece I'm thinking about is the way I write.

I think of myself of a primitivist. I have never had any of these electronic instruments and I have never had the slightest interest in using them. I use the computer as a tool, simply because it makes composing a lot faster. But I don't go on stage with a computer and make a lot of goofy sounds.

Occasionally I hear a band that blows me away. For instance, there's a musician in Oakland named Weasel Walter who has a band called the Flying Luttenbachers. Go see the Flying Luttenbachers when they're in your town. He's one of the greatest rock composers who ever lived, and he's struggling and living like a poverty-stricken hermit.

I could create music that sounded as strange as any electronic music, because you see, my opinion about electronic music is that the real composer is the guy who invented the instrument. Pressing buttons is not composing. Composing is about creating something.