I knew the term Stepford Wife, and I knew what that meant. I never read the book, and I think before I started filming I watched the movie. I thought it was very dated.

All your life you think 60 is ancient, and all of a sudden you find you're 60 and you don't really feel that different. I feel stronger and more engaged. This is the best time of my life.

I've often been mistaken for Meryl Streep, although never on Oscar night.

I also have always felt that television has a huge potential for the kinds of audiences that some films would never dream or ever be able to have. So that potential is very exciting to me.

I have the belief that truly evil people, it's a genetic evil. I only have the experience of exploring the landscape of some of the characters I've played that people have labeled as evil; I don't think they're evil.

So you have the challenge of just learning the lines, period, and not only learning them, but learning them to the extent that you assimilate them, so that you're not worried about what the next word is coming out of your mouth when it comes to doing a scene. And you're also in the trenches with the writers, just in the wonderful kind of back and forth of how is it best to say something, even if it involves four or five words. I love that kind of thing.

And when you're with a great crew like we had, it becomes a thrilling, again, collaboration, which is to me one of the great aspects of the process that you go through. I find myself at this point in my career, getting potentially, incredibly bored if I stand around a lot, so that's why I really like the pace of television.