One of the greatest learning experiences I had was hanging out with Maureen Tucker from the Velvet Underground. There's a woman who has no training and has a very simplistic and very tribal drumming style. I don't even know that she can even do a drum roll, but she's probably my favorite rock drummer because she plays every note perfect.

I've been doing the academic side of music and the rock side of music in conjunction, basically, since I was in fourth grade.

One of the greatest learning experiences I had was hanging out with Maureen Tucker from the Velvet Underground. There's a woman who has no training and has a very simplistic and very tribal drumming style. I don't even know that she can even do a drum roll, but she's probably my favorite rock drummer because she plays every note perfect.

I have to have the reasons to make the record. There are just too many records out there, especially when it's something as audacious as a solo percussion record with solo drumming music on it. There better be a reason behind it.

I find a difference between what gets called world music - a fusion of western music and music from different cultures in more of a modernized version - and Explorer Series stuff, which is completely undiluted indigenous folk music. That's a lot more powerful than a lot of the super-processed stuff that comes out now.

I hope people just enjoy the music. I'm not worried about any sort of legacy. Whether people view me more as the drummer in Wilco or as a composer who composes primarily for rhythmic reasons - it doesn't matter to me as long as they dig the music. None of that matters to me if the music is crap.

As a drumset player I look outside the typical canon of drums - jazz and rock. When I hear something like the "Monkey Chant", even though there are no instruments on it at all, the rhythms are so intriguing.