History has been the history of warfare.

Mystery is gone to the certainty of technological principles. So the real terror, the real aggression against life comes in the form of the pursuit of our technological happiness.

History has been the history of warfare.

So, not for lack of love of language, but because I feel our language is in an enormous state of humiliation, I decided to make films without words.

Technology has become as ubiquitous as the air we breathe, so we are no longer conscious of its presence.

The language of the moment or, as it were, the language of the order in which we live, is the image. I felt that if I wanted to commune with the public, I should best do so through the language of image. It's a conscious embrace of a contradiction.

In effect, I feel like a blind, deaf, and illiterate person working through the sensibilities and multiple, real talents of other people. Everything I do is collaborative.