The most sensitive frequencies are at the resonant frequencies of the auditory canal. In other words, the ear has shaped itself to naturally amplify certain bandwidth. And that corresponds to sounds in that bandwidth that were most important to our evolving ancestors to hear, in order to survive. And it doesn't match the human voice. It matches birdsong.

Often how you define the problem will determine whether or not you're able to find a real solution.

Whenever you're in a natural system and you're making sound, you are putting yourself at risk. As you go up the evolutionary ladder, from insects to frogs to birds and on up into mammals, the higher intelligence recognizes that when you vocalize, you put yourself at risk. So mammals generally vocalize or make noise much more rarely than, let's say, insects or frogs. And when they do, and put themselves at risk, it has to be worth the risk, and have true meaning, such as signaling during a hunting party, calling in prey, some religious or spiritual ceremony, something like that.

I'm in love with Earth. I truly am. And so listening is not work, to work toward a better future. It's joy. To not be able to work toward a better future would be work. That would be tough.

You don't really need to engage your visual sense, because the natural wiring of the human psyche is to monitor the environment through sound, not through sight. But we're convinced through modern conditions that we have to look at everything, and that creates stress in our life, because we're trying to solve problems in ways that are much more time consuming, not efficient, and not fun.

Many environmentalists have failed to recognize that the preservation of quiet areas, places off-limits to noise pollution, should probably be a number-one environmental concern, not something we're going to get to later. And I say that because in that quiet is a whole experience that people can have that reaches to their soul. I like to think of quiet places in nature as the think tank of the soul. It's in these very basic levels that we'll be able to see what the real problem is.

An acoustic ecologist is a listener who is aware that sound is information. It's information because it's created by events, events produce sound, and that sound has all kinds of data, if you will, that conveys what event occurred, what the materials were, whether it was sudden, slow, loud, in what direction. And because it is information, we can think of it as a message. The acoustic ecologist studies information systems that are both intentional and sometimes wild.