I'd like to think that if you find your audience there are still opportunities there to go and tell an original story.

I think when you get people who are really talented and you take them out of their comfort zone, you get a lot more out of them.

I want to diagnose the audience a bit and then offer a cure.

Drama is drama, and it's really... if it's something small, you put a magnifying glass up to it; if it's something big, you use a wide lens.

I just watched so many Westerns as a kid that you end up using archetypes and sort of tropes of that genre, because there's a language there and you can twist it and turn it on its head or play to it or go sideways at any time.

I'd like to think that if you find your audience there are still opportunities there to go and tell an original story.

Everyone always wants to find the answer, to feel that things are resolved. But in dreams, maybe there isn't an answer so much.