Writing of history is our only heuristic principle. The Germans have a word for it, einfühlen. It is the ability to experience the past in the present and to recreate it. In my books, I have tried to recreate it in the most natural way possible: History must be integrated into the story without the weight of premonition.

Freud did some serious damage to American literature - a lot of writers began therapy in the 1940s, after which they all became terribly egocentric.

A writer represents his family history. My grandfather was a senator and my father served in the Roosevelt administration. In other words, I grew up in politics. This is why it seemed perfectly natural to take part in the battles of my time, and to participate in the writing of the history of my country.

Realism has always been called cynicism.

To hear two American men congratulating each other on being heterosexual is one of the most chilling experiences - and unique to the United States. You don't hear two Italians sitting around complimenting each other because they actually like to go to bed with women. The American is hysterical about his manhood.

Most writers write books that they wouldn't read. I ought to know; I've done it myself.

Vitriolic really is personal. I am vitriolic. I am savage.