There is a certain destiny of everything, regulated by the foreknowledge and providence of God in His works.

In whatever manner God created the world, it would always have been regular and in a certain general order. God, however, has chosen the most perfect, that is to say, the one which is at the same time the simplest in hypothesis and the richest in phenomena.

There is no argument so cogent not only in demonstrating, the indestructibility of the soul, but also in showing that it always preserves in its nature traces of all its preceding states with a practical remembrance which can always be aroused. Since it has the consciousness of or knows in itself what each one calls his me. This renders it open to moral qualities, to chastisement and to recompense even after this life, for immortality without remembrance would be of no value.

These principles have given me a way of explaining naturally the union or rather the mutual agreement [conformité] of the soul and the organic body. The soul follows its own laws, and the body likewise follows its own laws; and they agree with each other in virtue of the pre-established harmony between all substances, since they are all representations of one and the same universe.

The pleasure we obtain from music comes from counting, but counting unconsciously. Music is nothing but unconscious arithmetic.

Whence it follows that God is absolutely perfect, since perfection is nothing but magnitude of positive reality, in the strict sense, setting aside the limits or bounds in things which are limited.

But in simple substances the influence of one monad over another is ideal only.