When I perform on stage I become those male bullies, those dominators from my childhood. That's probably why it's so scary, because they scared me.

I'm still shocked every time I see snow. The first bit of snow each year... I stay up and I watch it. And then I go out and pick it up and eat it and move around in it.

I think it's somewhere in my head, in my travel space, and it just comes out. It's a visual thing that happens unintentionally. People will tell me, "You do realize you just spoke with that accent, right?" And I'll go, "Oh, did I?" So it's not something I think about. As we talk, I have a visual about my speech and it just comes out like that. If that makes any sense!

Some songs come from my head, some from my throat, but there will always be moments when it is an injection of the soul.

In the Seventies and Eighties we all had our fun, and now and then we went really too far. But, ultimately, it required a certain amount of clear thinking, a lot of hard work and good make-up to be accepted as a freak.

I always thought that feminine, softer side was just too vulnerable to put out there, because then it's like you're opening up a door for everybody to come in, and you don't know who's going to come in that door.

Crying is not a weakness. It's something that should be able to work for you. It should also be a strength. I think if you can cry when you feel like crying it's a strength. If you feel like crying and you can't cry, that's a weakness. That means you're holding all that stuff inside.