I just go with the flow, I follow the yellow brick road. I don't know where it's going to lead me, but I follow it.

I always thought that feminine, softer side was just too vulnerable to put out there, because then it's like you're opening up a door for everybody to come in, and you don't know who's going to come in that door.

When I perform on stage I become those male bullies, those dominators from my childhood. That's probably why it's so scary, because they scared me.

Women and men grow up with both sexes. Our mothers and fathers mean a lot to us, so it's just a question of finding a balance between their influences. I've found mine. And it tends to be more on the male side. I mean male side the way we understand it in the West.

Models are there to look like mannequins, not like real people. Art and illusion are supposed to be fantasy.

Growing up in Jamaica, the Pentecostal church wasn't that fiery thing you might think. It was very British, very proper. Hymns. No dancing. Very quiet. Very fundamental.

You can be a boy, a girl, whatever you want. I have a lot of man in me.