I actually build my dreams around the dancers I've got in my company.
Normally our season is seven weeks in the Drama Theatre and four weeks in the Opera Theater.
It's the emotional trigger points that are important to me because I know if I could believe in the characters and try and imagine how they felt then I'd be able to do something quite honest.
No one was creating and I always wanted to be created on.
SDC has a great reputation for putting live music on stage.
If the year 2000 can help us move into the future, that's fine, but I am afraid that people see it as a full stop and that one can take a big breath afterwards - you can't.