You cannot control what you love--you watch it driving recklessly towards the broken bridge, the torn-up track, the horror of seventy years ahead.

We forget very easily what gives us pain.

Nobody here could ever talk about a heaven on earth. Heaven remained rigidly in its proper place on the other side of death, and on this side flourished the injustices, the cruelties, the meanness that elsewhere people so cleverly hushed up. Here you could love human beings nearly as God loved them, knowing the worst: you didn't love a pose, a pretty dress, a sentiment artfully assumed.

A story has no beginning or end: arbitrarily one chooses that moment of experience from which to look back or from which to look ahead.

The problem of pretending to be alive.

So much of a novelist's writing, as I have said, takes place in the unconscious: in those depths the last word is written before the first word appears on the paper. We remember details of our story, we do not invent them.

They had been corrupted by money, and he had been corrupted by sentiment. Sentiment was the more dangerous, because you couldn’t name its price. A man open to bribes was to be relied upon below a certain figure, but sentiment might uncoil in the heart at a name, a photograph, even a smell remembered.