If I stopped loving Him, I would cease to believe in His love. If I loved God, then I would believe in His love for me. It's not enough to need it. We have to love first, and I don't know how. But I need it, how I need it.

It is the earliest dream that I can remember, earlier than the witch at the corner of the nursery passage, this dream of something outside that has got to come in. The witch, like the masked dancers, has form, but this is simply power, a force exerted on a door, an influence that drifted after me upstairs and pressed against windows.

Pity is cruel. Pity destroys.

He was like a child with haemophilia: every contact drew blood.

A writer doesn't write for his readers, does he? Yet he has to take elementary precautions all the same, to make them comfortable.

Had Shakespeare listened to the news of Duncans death in a tavern or heard the knocking on his own bedroom door after he had finished the writing of Macbeth?

So much in writing depends on the superficiality of one's days. One may be preoccupied with shopping and income tax returns and chance conversations, but the stream of the unconscious continues to flow undisturbed, solving problems, planning ahead: one sits down sterile and dispirited at the desk, and suddenly the words come as though from the air: the situations that seemed blocked in a hopeless impasse move forward: the work has been done while one slept or shopped or talked with friends.