When he was young, he had thought love had something to do with understanding, but with age he knew that no human being understood another. Love was the wish to understand, and presently with constant failure the wish died, and love died too perhaps or changed into this painful affection, loyalty, pity.

She was not too young to be wise, but she was too young to know that wisdom shouldn't be spoken aloud when you are happy.

Destruction after all is a form of creation.

With a novel, which takes perhaps years to write, the author is not the same man he was at the end of the book as he was at the beginning. It is not only that his characters have developed-he has developed with them, and this nearly always gives a sense of roughness to the work: a novel can seldom have the sense of perfection which you find in Chekhov's story, The Lady with the Dog.

Fun... human nature... does no one any harm... Regular as clockwork the old excuses came back into the alert, sad and dissatisfied brain--nothing ever matched the deep excitement of the regular desire. Men always failed you when it came to the act. She might just as well have been to the pictures.

With Your great schemes, You ruin our happiness like a harvester ruins a mouse's nest: I hate You, God, I hate You as though You existed.

I don't care a damn about men who are loyal to the people who pay them, to organizations...I don't think even my country means all that much. There are many countries in our blood, aren't there, but only one person. Would the world be in the mess it is if we were loyal to love and not to countries?