Melodrama is one of my working tools and it enables me to obtain effects that would be unobtainable otherwise; on the other hand I am not deliberately melodramatic; don't get too annoyed if I say that I write in the way that I do because I am what I am.

I have often noticed that a bribe has that effect - it changes a relation. The man who offers a bribe gives away a little of his own importance; the bribe once accepted, he becomes the inferior, like a man who has paid for a woman.

I write about situations that are common, universal might be more correct, in which my characters are involved and from which only faith can redeem them, though often the actual manner of the redemption is not immediately clear. They sin, but there is no limit to God's mercy and because this is important, there is a difference between not confessing in fact, and the complacent and the pious may not realize it.

I'm tired and I'm sick to death of being without you.

Of two hearts one is always warm and one is always cold: the cold heart is more precious than diamonds: the warm heart has no value and is thrown away.

Innocence is like a dumb leper who has lost his bell, wandering the world, meaning no harm.

The sense of unhappiness is so much easier to convey than that of happiness. In misery we seem aware of our own existence, even though it may be in the form of a monstrous egotism: this pain of mine is individual, this nerve that winces belongs to me and to no other. But happiness annihilates us: we lose our identity.