The world doesn't make any heroes anymore.

It is the earliest dream that I can remember, earlier than the witch at the corner of the nursery passage, this dream of something outside that has got to come in. The witch, like the masked dancers, has form, but this is simply power, a force exerted on a door, an influence that drifted after me upstairs and pressed against windows.

A story has no beginning or end: arbitrarily one chooses that moment of experience from which to look back or from which to look ahead.

One gets started, and then, suddenly, one cannot remember what toothpaste they use . . . the moment comes when a character does or says something you hadn't thought about. At that moment he's alive and you leave it to him.

There is a point of no return, unremarked at the time, in most lives.

The world was in her heart already, like the small spot of decay in a fruit.

...and yet could swear it was just then that I fell in love. It wasn't, of course, simply the onions -- it was the sudden sense of an individual woman, of a frankness that was so often later to make me happy and miserable.