I don't understand why anyone would collect my work. Please understand... it's like writing Our House. It took me an hour, it was 30 years ago, get over it! But people say, No, no, it changed my life, and I don't understand that. I can't take that seriously as a producer of what I consider to be art. If they want to collect it, fantastic. If you see what I saw when I took it and it means something to you, then by all means collect it. If I make some money, um, fine.

Martin guitars have now brought out, you know, on a more traditional level, the Stephen Stills' model of Martin guitars. It's beautiful. I just went inside. I bought one immediately.

Do you know anybody under 25 that gives a damn whether you marry a man if you're a man or if you marry a woman if you're a woman? No.

I began to realize that photographs, these still images, have a tremendous power to move your soul. They can change your life by what you choose to get out of them, and I started to collect photographs.

I don't have to ask anyone's permission to do anything. It's nice not have to get decisions out of three, sometimes four people, which can be like pulling teeth. So the amount of control that I have over what I'm doing is better for me as a solo artist.

I've been a photographer all these years... I haven't been in my own darkroom for 10 years.

The Hollies, after I left in 1968, had the audacity, the gall, to have three number one records after I left. Thanks a lot, guys.