When I was a kid in the mid-'60s, I was what's known as a moddie boy, a prototype skinhead. You all had your hair like a crew cut, cropped, with suits or Levis with red suspenders, sometimes Doc Martens. It was a thriving soul music, Motown and ska scene; we used to dance to Prince Buster and the Skatalites.

I started to work up in my old bedroom, playing, writing songs, and it somehow came to me that I could introduce soul music. Nobody seemed to be doing that.

I never learned music. I'm quite uneducated, and usually I sat in front of the TV, with soap operas on, in England. It was very inspiring for me, I'd done all this traveling around, I came back living with my parents, everyone around me was like they're living in a soap opera.

If I could smoke from more than one orifice, I most certainly would.

I went to Morocco, joined a band called Pegasus, ran out of money, went to Gibraltar and worked on the docks, writing songs about the sun and the morning and the birds.

When I was a kid in the mid-'60s, I was what's known as a moddie boy, a prototype skinhead. You all had your hair like a crew cut, cropped, with suits or Levis with red suspenders, sometimes Doc Martens. It was a thriving soul music, Motown and ska scene; we used to dance to Prince Buster and the Skatalites.

In the early days, I had very little idea about arrangements, and I wrote songs a little flat, as it were, just on an acoustic guitar. They didn't really have quite enough nuance.