Part of the very impulse of writing for me is actually wanting to get away from myself.

I can do hieroglyphics in the margin. There are days when I really enjoy the flow of ink. I mean, nice pen, ink straight on to the page.

There’s this thing called progress. But it doesn’t progress. It doesn’t go anywhere. Because as progress progresses the world can slip away. It’s progress if you can stop the world slipping away. My humble model for progress I the reclamation of land. Which is repeatedly, never-ending retrieving what it lost. A dogged and vigilant business. A dull yet valuable business. A hard, inglorious business. But you shouldn’t go mistaking the reclamation of land for the building of empires.

If you can't stand your own company alone in a room for long hours, or, when it gets tough, the feeling of being in a locked cell, or, when it gets tougher still, the vague feeling of being buried alive-then don't be a writer.

What we wish upon the future is very often the image of some lost, imagined past.

As a novelist, I suppose I can say that I'm highly articulate. But I know, as a person, in other ways, I'm not always articulate. I think we are all, from time to time, inarticulate, at some level, about some things.

My upbringing was absolutely not the archetypal writer's upbringing. Even, arguably, the opposite.