Television is what we call the long form of storytelling, where we tell stories over thirteen, twenty-two, or twenty-four hours. Miniseries is an eight-hour form of storytelling, and film is a two-hour form. Each and every one of them are important to me, because they're a different modality of storytelling.

I think my children have presented one of the biggest lessons so far in my life. It was only when my kids were born that I realized just how much I'd been living my life worried about what everybody thought of me and, even more strangely, worried about what I imagined other people might be thinking about me.

Money is tighter now, with the advertising dollar spread a lot more thinly across a whole range of media because of the Internet. It means the television networks have less power to produce shows, and TV is where most Australian actors make their money.

I love motion capture. I think it's the best thing, ever. It's wonderful. It gives you an incredible freedom to just play things out.

I pretty much always choose characters. That's what I do. That's what I look for. I look for dynamics in a script and potential.

I've actually usually been wary of taking on science fiction as an actor because it's really tough to do. It's really difficult to execute. There's often lots of prosthetics, green screen and special effects, and it can get very technical.

Strangely enough, I find myself more centered in chaos than in calm, and again I'm not sure whether that's a strength or says something weird about me, but I love a crisis. I'm normally very, very organized in the middle of chaos, and then when I have nothing to focus on, extremely disorganized, and I tend to waste a lot of time.