I write constantly, so it flows from one project to the next, and I would edit everything endlessly if I had the chance. I can always see ways to improve what I've done. At the same time, knowing it's all an ongoing life's work allows me to be less precious about blind alleys, failed experiments, and misfires.

I will rise from the darkness, shining like the morning star. Illuminated woman am I.

American writers often say they find it difficult to write Superman. They say he's too powerful; you can't give him problems. But Superman is a metaphor. For me, Superman has the same problems we do, but on a Paul Bunyan scale. If Superman walks the dog, he walks it around the asteroid belt because it can fly in space. When Superman's relatives visit, they come from the 31st century and bring some hellish monster conqueror from the future. But it's still a story about your relatives visiting.

I've always felt I had more in common with the modernist approach than with postmodernism, but I can see where the connection might arise - and to be honest, I'm no academic, so I tend to use these words, like in Alice In Wonderland, to mean what I want them to mean rather than what they actually do mean.

I do like to keep abreast of what the hardcore vocal members of the comics-reading audience are talking about on Internet message boards, but there are so few of them, as a percentage of the buying audience, that I can't allow their opinions to dictate story direction.

It's salt. Why don't you sprinkle some on me, honey? Aren't I just good enough to eat?

I don't like to think of my readership as "fans," a word which has always suggested a kind of power relationship I'm uncomfortable with.