Knowledge is organized data. For it to be shelved as human knowledge it's got to be predictable, repeatable, all the basics of scientific validation have to be there.

When I create, I feel that I am a participant in the grand pageant of life, a part of the ongoing creative engine of the universe. I don't know if that feeling is enough to replace the solace of religion in the lives of most people, but it is for me.

We should enjoy and make the most of life, not because we are in constant fear of what might happen to us in a mythical afterlife, but because we have only one opportunity to live.

Folk music usually has an emphasis on the lyrics and melody. And those lyrics are usually relevant in some way. And it's populist in scope, which is also true of Bad Religion. So it's more meant to draw some parallels between the two. And I think even my voice and my delivery can be thought of as a little bit folky.

If there is no destiny, there is no design. There's only life and death. My goal is to learn about life by living it, not by trying to figure out a cryptic plan that the Creator had in store for me.

It's my firm conclusion that human meaning comes from humans, not from a supernatural source. After we die, our hopes for an afterlife reside in the social networks that we influenced while we were alive. If we influence people in a positive way -- even if our social web is only as big as our nuclear family -- others will want to emulate us and pass on our ideas, manners, and lifestyle to future generations. This is more than enough motivation for me to do good things in my life and teach my children to do the same.

Most songwriters who have been lucky enough to have their song on the radio or be heard widely don't know anything about science. The best songs have a strong dose of metaphor. Most songs about science don't have that. Like 'She Blinded Me With Science.' It's a stupid song, no offense to Thomas Dolby.