One of the dangers of making a movie about young people is it's potentially trite.

I lived on Thompson Street in SoHo for 13 years and I watched it go from a little Italian neighborhood to the Mall Of America. Then the obvious fact that it's pre-Internet, pre-cell phone. Everyone I think thinks their youth is a more innocent time. I just don't know.

We didn't want to make it a parody of Don Draper[in Keeping Up With the Joneses] but we did arrive on this idea that there's a side of Jon Hamm that opens up that would like him to stop living as a professional liar.

I feel like I'm long overdue for a "one for me" movie, so I've got two low-budget indy personal things I'm working on.

I'm a huge fan of Zach's [Galifianakis] and I auditioned Zach a million years ago on a movie called Duplex which I was fired from. But Zach came in - It was like 2000, maybe - as a buddy stand-up that people were starting to notice and there was something about him I loved. He wasn't quite right for the part in [Keeping Up with the Joneses] and I got fired anyway, so who cares? But I always wanted to work with Zach.

I was naïve when I was young, I was sheltered. I had illusions about who I was going to be, delusions, and a little bit of pretentiousness. And I thought, "I'll write the guy like that. It'll allow me to make fun of everyone else if I make fun of myself."

I talked about the summer of 1985, when I worked at an amusement park on Long Island, the kind of place where someone would pull a knife on you if they wanted a better prize than you were giving them. You found a lot of used needles beside the cotton-candy cart at the end of the night. It was a pretty white-trash, scary place. It was one in a series of terrible jobs I've had, coming from not much money and having no particularly resourceful skills. And at one point one of my friends, a writer on the show, Jenny Konner, said, "You should write about that."