We didn't want to make it a parody of Don Draper[in Keeping Up With the Joneses] but we did arrive on this idea that there's a side of Jon Hamm that opens up that would like him to stop living as a professional liar.

I don't see that many movies where people are depicting middle-class suburban life in a more textured way. My feelings about the suburbs are not so wonderful, so my movies tend to be a little melancholy.

The first person I met in the business was David Heyman, who was a producer on Daytrippers and who went on to produce the highly-unsuccessful Harry Potter series.

[Gal Gadot] is really intense and scary and also incredibly warm and sweet.

I think Stanley Tucci was having an affair with his mother. He had this odd quality that I haven't seen him ever get to do again in a movie that just made me think he's got some chops. He's got a strangeness to him, but he's also clearly been stuck in this role because of his looks and his type. He's been really pigeonholed, I felt.

I am very interested in the small decisions people make that do set you on a different road in your life. As much as we have influence over what kind of person we're going to become, there are little tests along the way.

I guess bittersweet is probably my favorite tone, as a lover of Woody Allen and Federico Fellini and the French New Wave. You know, old Hollywood, sad movies. I guess it's my picture of suburban life, a lot of it being very, very lonely. I wanted to have that infused into the feeling of it.