In American commercials in the past year or two, I don't know, the singers all sound like they're whining and the music's all melancholy. It's sort of like, I hear these commercials and it makes me feel sad, you know? Like - for instance, my barley tea is gone. Now, there's music out there that encourages you, when your barley tea has run out, to just sort of sit there and be like "My tea ran out. Oh, man." And just be slouching. So we wanted to make music that when your tea runs out, instead you're like, "I'm gonna go get some more tea!" You know? It just gives you the energy.

My projects are just side effects of what I obsess over, what I chat about, what random things pop into my head, what I dream at night.

I've found that writing and playing music has so little to do with will, and so much to do with just finding what's there waiting for you.

In American commercials in the past year or two, I don't know, the singers all sound like they're whining and the music's all melancholy. It's sort of like, I hear these commercials and it makes me feel sad, you know? Like - for instance, my barley tea is gone. Now, there's music out there that encourages you, when your barley tea has run out, to just sort of sit there and be like "My tea ran out. Oh, man." And just be slouching. So we wanted to make music that when your tea runs out, instead you're like, "I'm gonna go get some more tea!" You know? It just gives you the energy.

I've learned it's a human responsibility to create fun, not just wait for it.

I'm against American corporations buying politicians to remove limits to greed, capitalizing on other people's misery, actively creating misery on which to capitalize, "financializing" every moment of our enslaved lives. Then when China or somebody takes over, then it will be [them] doing those things that I'll be against.

That's one of the things that always grabbed me about rock music: There's a song, and you know how it goes, and you can sort of predict it, but a lot is left up to chance and interaction.