I've been fascinated with gargoyles since I was a kid. I took a high school trip to Europe, the 8 countries in 5 weeks kind of trip. Even then I collected postcards of gargoyles. Then I sort of forgot about it. You flash-forward a few years and I'm at Disney, we're looking for an idea to base a show on. I was running series development at the time at Disney TV Animation. And we came up with the Gargoyles comedy series. Which didn't sell!

I've been fascinated with gargoyles since I was a kid. I took a high school trip to Europe, the 8 countries in 5 weeks kind of trip. Even then I collected postcards of gargoyles. Then I sort of forgot about it. You flash-forward a few years and I'm at Disney, we're looking for an idea to base a show on. I was running series development at the time at Disney TV Animation. And we came up with the Gargoyles comedy series. Which didn't sell!

I had studied William Shakespeare in Oxford, England and I had this sort of high faluttin' education but I had also worked in comic books. So, I wasn't too proud to work in something like cartoons.

Sometimes when you're in the midst of something you don't always appreciate it while you're doing it. Gargoyles was an exception to that. At the time, I knew we were doing something kind of special. Something that might not be repeatable. It turned out to be, professionally.

Gummi Bears was actually an adventure comedy. It was great fun, it had this terrific backstory, a show created by Jymn Magon. The candy was the inspiration for starting the show in the first place but the series that was created was really great. We felt that Gummi Bears never got the respect it deserved. I don't take any credit for Gummi Bears. Gummi Bears was up and running by the time I joined Disney. I thought it was a great show.

I had co-written one episode of an animated show called Jem and the Holograms. Which at the time I didn't view as the start of a career, I viewed it as, "Hey, someone wants to pay me to write something, and I might get a TV credit, isn't that cool?" So I did it with my writing partner at the time, Cary Bates, and it was interesting but it didn't lead to anything and I didn't think too much about it.

Certainly if it's something you created, like Gargoyles was for me... on the one hand it becomes you and the other writers as well. It's not like it's a one man band by any means, but at the same time when something's really working, when you've got a group of characters that really are clicking and humming, they begin to tell you what happens next. It just all begins to feel right and that was true about Gargoyles. Not true about every show I ever worked on, but it was definitely true about Gargoyles.