The story of Mirror Mirror is in many ways a story about evolution. Its about the evolution of a child into an adult. Its about the evolution of those dwarves into something a little less rock-like, a little more humanoid. Its about the evolution of history, too, from the darkness of the Middle Ages into the light of the Age of Reason.

I write because I admire the act of rationalization, of seeking clarity in one's understanding of the complexities of life, and I'm bad at it. I'm slow. Writing, which is an arduous and slow process, proceeds at the same rate as my sloth-like mind.

The truth isn't a thing of fact or reason. It is simply what everyone agrees on.

The nature of the world is to be calm, and enhance and support life, and evil is an absence of the inclination of matter to be at peace.

I wouldn't mind leaving myself behind if I could, but I don't know the way out.

Are you the dart?" he said. "Are you the knife? The fuse?" She said (though he wasn't convinced): "My deane, my poppet, I am too green to walk into a public place and do something bad.

The real thing about evil," said the Witch at the doorway, "isn't any of what you said. You figure out one side of it - the human side, say - and the eternal side goes into shadow. Or vice versa. It's like the old saw: What does a dragon in its shell look like? Well no one can ever tell, for as soon as you break the shell to see, the dragon is no longer in its shell. The real disaster of this inquiry is that it is the nature of evil to be secret.