We start out in identical perfection: bright, reflective, full of sun. The accident of our lives bruises us into dirty individuality. We meet with grief. Our character dulls and tarnishes. We meet with guilt. We know, we know: the price of living is corruption. There isn’t as much light as there once was. In the grave we lapse back into undifferentiated sameness

The future reshapes the memory of the past in the way it recalibrates significance; some episodes are advanced, others lose purchase.

To consider what other people might say is hardly a good reason to take action or to defer it. You have your own life to live, Iris, and at its end, the only opinion that amounts to anything is that which God bestows

I don't like work like that. I am the silent partner. I work through events, I live on the sidelines, I dabble in causes and effects, I watch how the misbegotten creatures of this world live their lives.

To read, even in the half-dark, is also to call the lost forward.

She dropped her shyness like a nightgown, and in the liquid glare of sunlight on old boards she held up her hands-as if, in the terror of the upcoming skirmish, she had at last understood that she was beautiful. In her own way.

...What is the use of beauty? i have lived my life surrounded by painters, and still I do not know the answer. But i suspect, some days, that beauty helps protect the spirit of mankind, swaddle it and succor it, so that we might survive. Beauty is no end in itself, but if it makes or lives less miserable so that we might be more kind-well, then, lets have beauty, painted on our porcelain, hanging on our walls, ringing through our stories.