The world was floods above and fire below

I don't like work like that. I am the silent partner. I work through events, I live on the sidelines, I dabble in causes and effects, I watch how the misbegotten creatures of this world live their lives.

Well, the family always was bright, and brightness, as you know, decays brilliantly.

You confuse not speaking with not listening.

The momentum of the mind can be vexingly, involuntarily capricious.

She assumes that skill will guide her fingertips, that shapely lines will uncoil out of the pencil the moment she starts. Surely talent is a thing curled deep inside, just waiting to be exercised, and at the slightest invitation it will stretch, shake itself, make itself known? Talent, it seems, is not so insistent.

A capacity for inferiority in the growing adult is threatened by the temptation by squander that capacity ruthlessly, to revel in hallowness. The syndrom especially plaques anyone who lives behind a mask. An elephant in her disquise as a human princess, a scarecrow with painted features, a glittering tiara under which to glow and glide in anonymous glamour. A witch's hat, a wizards stole, a scholars gown, a soldiers dress sartorials. A hundred ways to duck the question: how will I live with myself now that I nkow what I know.