It's like when we get the transformer movies. It was all a bunch of smaller robot pieces and then you're on set, and you're watching them blow everything up and you see the movie and you say "wow there's a big giant spaceship crashes there and it turns into a transformer." It's stuff that you don't really see, because our involvement is so heavy.

It's like when we get the transformer movies. It was all a bunch of smaller robot pieces and then you're on set, and you're watching them blow everything up and you see the movie and you say "wow there's a big giant spaceship crashes there and it turns into a transformer." It's stuff that you don't really see, because our involvement is so heavy.

There is something really so iconic about the original Predator, and it is exciting. It's not just special effects. It's not like you bring a puppet in, these are characters and so we were involved in developing the look and the attitude of all the characters.

Every season I teach zombie school. The casting people in Georgia look for like 200 new recruits. They come in in groups of 20, and I audition them and grade them based on their look and their performance ability.

If the actor points a fake gun and pulls the trigger, and you have to fall to your knees, you really do have to sell it. Otherwise, it takes the viewer out of the moment.

I grew up really loving horror movies and genre movies. I was a big fan of Universal Monsters movies, read Famous Monsters magazine. I built monster models and creature effects...

When a movie succeeds, it takes me to another world where I don't think about it and I'm just immersed.